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There is always the most amazing amount of detail. in the
fantasy at this point: me, casually arranging the tablecloth over
my lap so that no one can see he has, raised my skirt, or see his
head tight up against me, or his tongue…yes, there is a lot of the
lips, actually seeing them, and the tongue. Or there is the intricate
arranging of feet, like a ballet, under the table, with me praying
that no one will bump into him with their feet! Funny thing is, all
this detail makes it even more exciting. But mostly there is the
fear – sweet agony – that someone may ask me to dance! Or,
worst of all, that the man under the table will stop…that someone
will call for the bill and say, "Okay, everybody up, let’s go."
What I am really afraid of, I suppose, is that the real man, the
man who is making love to me, will stop, will tire. I do take a
long time to reach a climax…mostly because I enjoy getting there
so much. And there have been men in the past, lovers, who get
impatient, who will suddenly stop before I have reached an
orgasm, when I already know that I am going to…and you know
what a letdown that is.

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When he is going down on me I close my eyes and imagine
myself at some incredibly proper place, some very elegant
restaurant, for instance. On the surface, it’s like a hundred
different "smart" dull evenings we’ve spent at as many smart,
dull restaurants: the men are in dinner jackets, the women
divinely coiffed, the headwaiter aching with savoir faire. (I think
this fantasy is my own rerun of the old Paulette Goddard story.)
We are all sitting around this table with its glittering crystal and
silver on a very deeply hemmed, heavy linen tablecloth – the
tablecloth is important because it hides the man underneath who
is between my legs. I chat away amiably with the people on
either side. How has this man got under the table? Interesting you
should ask. Because in my fantasy I’ve taken care of that detail.
Either he has quietly slipped under the table on the pretense of
picking up a dropped napkin, or he’s excused himselfsupposedly gone to the gents – but in fact raced to the cellar
below only to emerge through a trapdoor at my feet, there gently
to part my willing legs. It’s funny how little time during a fantasy
it takes to sort out the mechanical details…but time, during a
fantasy, is not like normal time. Sometimes this man is black,
more often he is unknown. Perhaps he is a new face in our dull
little group, a face I have responded to all evening, as I respond
to his touch on my thighs. I want him, this fantasy man, as much
as I want the man who is actually between my legs.

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Patricia
Patricia is a tal l, blond American beauty who lives in Rome.
For the past year she has been separated from her husband and
living with Antonio, an Italian. Patricia and her wealthy English
husband have an agreement that when they’re tired of their
individual adventuring they will leave Rome, that nothing either
of them has done there will have counted, and that they will
return to New York or London together. Because, as Patricia
says, "We really love one another. We simply want to explore
now, without guilt."

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